Waltzes
Despite its rustic roots in the early eighteenth century, the waltz became quite trendy in up-scale Vienna by the 1780’s. From there it spread around the western world, developing into distinct national styles, including ragtime and jazz waltzes in the US. It also became a standard in operas and ballets of the nineteenth century. Johann Strauss Jr., known as the Waltz King, wrote close to 150 waltzes intended for dance use and also incorporated the waltz into his operettas, including the famous Die Fledermaus.
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Adela’s Aria, also called The Laughing Song, from Die Fledermaus (string trio)
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Brahms’ Waltz, op. 39 no. 15 (string trio)
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Invitation to the Dance (string trio)
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Musetta’s Waltz (Quando me n’vo), from La Boheme (string trio)
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Serenade for Strings, Waltz (string trio)
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Valse, from La Traviata (string trio – violin, viola, cello)
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Waltz op. 12 no. 2 (string trio)
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Waltz, from Coppelia (string trio)
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Waltz, from Faust (string trio)
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Waltz, from The Merry Widow (string trio)
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